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You are here: Home / Photoshop / Softening & Adding Glow to a Portrait in Adobe Photoshop

Softening & Adding Glow to a Portrait in Adobe Photoshop

April 6, 2016

Softening & Adding Glow to a Portrait in Adobe Photoshop

When it comes to portrait photography, there are a few tricks you can take advantage of in Adobe Photoshop that can add some subtle effects to your photos. In future posts, I’ll be covering just about every styling effect under the sun, but today, I’m going to discuss one small slice of the entire pie.

In today’s post, I’m going to complete a small project using a sample photo of a child lying down in the leaves. I’ll be using a variety of tools to add some saturation, a faint glow and some softening to the overall photo. I think this type of effect would be most popular with wedding shots as well as some more glamorous types of portraits, but as I was experimenting with different subjects and settings before sitting down to write this post, I found that it looks pretty good with a wide variety of types of photography.

The tools I’ll be taking advantage of in Photoshop for this project are Smart Objects, Filters and Blend Modes. Let’s get to it.

Original Photo

This is the original photo that I’ll be using for this post. I haven’t done anything to it besides straighten it and crop it to size in Photoshop.

Original Photo

Convert to Smart Object

There are a few methods that I could use (duplicating layers) to add the effect I’m after to this photo, but I’m going to limit what I discuss to converting the photo layer to a Smart Object. Smart Objects have tons of flexibility and if I wanted to make an adjustment after adding an effect when using one, I could do that. If I were to simply duplicate the photo layer and then add the effects and they didn’t come out the way I intended, I’d have to delete the duplicated layer and start over again. Smart Objects were created to avoid issues like this (by being non-destructive), so it’s in your best interest to learn as much as you can about them and to use them in your workflow. I’ve covered their characteristics and benefits right here on this website, so if you’re interested in discovering their magical powers, do a simple site search for “Smart Object.” Later on in the post, I’ll discuss their benefits more as I go through the steps necessary to complete this project.

Converting a layer to a Smart Object is super simple. To do so, I’ll click the layer I want to convert, which is easy to do because it happens to be the only layer in the file, and then head up to the Layer > Smart Objects > Convert to Smart Object menu and select that choice.

Layer Smart Objects Convert to Smart Object Menu Item

To confirm that the layer has been converted from a pixel based layer to a Smart Object, I can look for the small icon in the lower right corner of the layer thumbnail. If I see the icon and roll over it with my mouse, a small tool-tip that says Smart Object Thumbnail should appear.


Smart Object Thumbnail

At this point, any changes I make to the layer will be non-destructive, which is just what I want.

Adding a Blur Filter

The first part of adding a softening/glow effect to this photo is to apply a blur filter to it. To do this, I’ll head up to the Filter > Blur > Gaussian Blur menu item and select it.

Filter Blur Gassian Blur Menu Item

When I do that, a small dialog box will appear.


Gaussian Blur Dialog Box

When this box appears, I’m going to immediately click OK. I’ll explain why I don’t need to set the blur size just yet below.

If I take a look at the photo layer now, I’ll see that the Smart Object has applied a filter to it. It sits below the object as its own entity.

Gaussian Blur Smart Filter

If I click on the little eye icon that’s situated at the left side of the Smart Filters layer, I can turn the blur filter on and off. That’s the first benefit of using Smart Objects – the separation of effects from the original layer.

Now, if you take a look at the bottom-most part of the Smart Filters layer, you’ll see a small icon all the way to the right. When I roll over it, a tool-tip pops up that says Double-Click to Edit Filter Blending Options. This is very handy because it’s exactly what I want to do. I’ll double-click that icon now.

Adding a Blend Mode to a Filter

When I double-click the icon, another dialog box appears. This one is the Blending Options box and applies a blend mode to the actual filter, which is really cool.

Gaussian Blur Blending Options

For this project, I’ll apply the Overlay blend mode. Let’s see what that does to this photo.

Soft Glow Portrait Photoshop Tutorial

Wow – as you can see, I’ve already achieved the softening glow effect that I’m after. And I’ve got some saturation as well. The thing is, various levels of blur offer different softening effects. So, if I wanted to, I could either lessen or increase the amount of blur that’s applied to this photo.

Adjusting the Level of Blur

If I tried to do this to a regular layer that I simply applied a filter to, I wouldn’t be able to. I’d have to delete the layer and try again. In my opinion, that’s no way to edit. By converting the original layer to a Smart Object, I can turn on and off and edit anything I’ve added to the photo during this tutorial. So, to adjust the level of the Blur filter, all I need to do is to double-click the filter effect name over in the Layers panel.

Filter Effect Name

When I do this, the Gaussian Blur dialog box appears again and I’m able to adjust the level of blur. Now that’s flexible. The best part is, I get a real-time preview of what effect my adjustments are having on the photo.

Adjusting Gaussian Blur


The best way to see what looks good for any particular photo is to follow the instructions I gave above and then play with the results. I would fool around with which blend modes I applied to the filter as well as the level of blur. I could even go so far as to apply different filters to the photo. This is exactly how developers create actions for Photoshop to sell. They take photos and use their creativity to put the pieces of great looking photos together.

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Related posts:

  1. Adding Movement to a Wind Turbine with Spin Blur in Adobe Photoshop
  2. Adding Black & White Drama to a Photo in Adobe Photoshop
  3. Creating Vintage Photos Using Smart Filters in Adobe Photoshop
  4. Adding a Gradient Map Adjustment Layer in Adobe Photoshop
  5. Grouping Adjustment Layers + Smart Objects in Adobe Photoshop

Filed Under: Photoshop

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Comments

  1. Beth Herzhaft says

    April 7, 2016 at 6:10 am

    Yay!!! A portrait tutorial! Very cool, thanks.
    Question: I’ve never worked with smart objects so don’t know, but I see the smart layer appears white (in your examples) Does this mean you can work with it like a layer mask painting in black if you wanted effect only in certain areas?

    Reply
    • Jay Gaulard says

      April 7, 2016 at 10:10 am

      Hi Beth,

      Great question – The answer is yes. The Smart Filter Mask behaves the same way a Layer Mask does. You can apply a Smart Filter Mask and then remove and add back some areas just the same way you would a normal mask. The best part is, you can also apply multiple filters to the same Smart Object. When you use the paintbrush on the mask, however, your actions affect all the filters that you’ve applied. Give it a shot and let me know how it works out for you.

      Thanks for the comment!

      Jay

      PS – Just remember, to have any effect, you must first click the white box of the Smart Filter Mask. Then, apply your black or white (or any shade between) paint. Also, to see a larger view of what you’ve applied, simply hold down the ALT (OPT) key on your keyboard and click the white mask box under the Smart Object. A larger view will appear. To back out of that view, just repeat the previous steps. ALT and then click again.

      Reply
      • Beth Herzhaft says

        April 9, 2016 at 5:37 am

        Many thanks Jay. Given that ALL effects would be affected if you paint out / in on the mask, should one make multiple copies of background layer, each made into a smart object? Or is that just a nightmare scenario?

        Reply
        • Jay Gaulard says

          April 9, 2016 at 7:04 pm

          Hi Beth,

          If I get where you’re coming from, you’d like to separate out the layers to apply individual effects to each one? If I’m taking this correctly, I’m not sure that would work because each Smart Object would cover the one(s) below, therefore rendering them invisible. Please let me know if I’m on the right track here.

          Thanks!

          Jay

          Reply
  2. Beth Herzhaft says

    April 7, 2016 at 6:16 am

    Oh, also, is there any reason to duplicate the photo before applying it as a smart object? I know it is non destructive, but is it still a good idea to make a duplicate of the background layer into the smart object?

    Reply
    • Jay Gaulard says

      April 7, 2016 at 10:17 am

      Yes, I would personally duplicate the layer before doing anything, just because that’s the way I am. I like to make backups of stuff. Although, I’ll tell you, you can work on a Smart Object all day long and back it up at any point. To do so, simply drag the Smart Object down on top of the Create New Layer icon at the bottom of the Layers panel to duplicate it. At this point, you’ll have a duplicate of everything – masks and all. To remove the Filter Mask, right-click on that part of the layer and choose Delete Filter Mask. Then, right-click on the Smart Filter area in the Layers panel and choose Clear Smart Filters. Now, you’ll be left with a simple Smart Object. To bring the layer back to its original pixel-based state, select the layer and head up to the Layer > Rasterize > Smart Object menu item and select it. You’ll be left with your backup, just as if you had done it originally when you opened the file.

      I hope this helps.

      Jay

      Reply
  3. Jane says

    July 15, 2016 at 5:48 am

    Great tutorial about portraits! I’ve been wanting to read articles like this and it will help amateur photographers get started with their portrait image processing.

    Reply
    • Jay Gaulard says

      July 15, 2016 at 8:16 am

      Thanks Jane!

      Reply

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